Showing posts with label language. Show all posts
Showing posts with label language. Show all posts

STRANGER THINGS ESSAY


how are different social groups represented in the sequence you have analysed? 

what role does the use of media language, signs and signifiers have in constructing and presenting these representations are real?                                                                                             [500 words]

Social groups are clearly represented in the first episode of stranger things through the introductions of the different characters throughout the episode. The stereotypes exerted through the main characters limit them to simple characteristics - the scientist for example who is the first character introduced in the opening scene, his haircut, typical white gown and slim figure conform to what the audience expect. However, the setting is subverted as the mise-en-scene contains key elements suggesting supernatural - the flickered lighting, the dark, sombre hallway and the scientist's panicked demeanour.

Further representations of social groups are shown through the 3 boys, Mike, Lucas and Dustin. At the beginning of the episode, the boys conform to the stereotyping of basic, intelligent, 'nerdy' kids that spend their free time gaming or learning, however, they begin to subvert their stereotyping when their friend Will goes missing in a supernatural way. It is here where the boys, especially Mike, take on the protagonist role in the episode. They take it upon themselves to investigate their missing friend. Low angle shots are used to highlight their importance and tracking shots are used to show that they are the main focal point and that they are leading the narrative.

The intertextuality used in stranger things to the classic 80s film, E.T are shown through the boys and is demonstrated in the scenes where the boys are travelling around on their choppers and using the torches, and then again in the scene where they discover Eleven, using the singular torchlight. 

Subversion of stereotype is also evident in the social groups regarding the police force in stranger things. The head sheriff in the town of Hawkins is represented as unbothered, slow and unequipped. This could be however, considered a conformation of the stereotype as he is a sheriff in a small, unhappening town and typically, they may be more carefree. However, Hopper’s importance is verified with the use of the tracking shots around the forest in the search for Will and the close-ups of his face. The realism is suggested here as a balance, highlighting the binary oppositions here as the police are very normal with their uniform, office, procedure etc. as opposed to the supernatural theme in the episode.

Another social group is represented in the first episode, in the scene featuring Nancy and Steve. Steve represents the typical jock of the school, and Nancy as the attractive, clever, aspirational character that girls in the school aspire to be. They are very ‘real’ characters and again, provide the normality balance in the episode. The social group of teenagers show the simplicity of their lives compared to others in the episode.

MUSIC VIDEOS: TITANIUM

-by a french DJ and David Guetta-vocals by Australian Sia
-urban house/urban dance
-supernatural scene, suburban setting
-enigma codes in the video
-lyrics about inner strength
-intertextuality
-2011
-quebec, canada
-gun related lyrics
-young boy with supernatural powers
-released at christmas
-get knocked down  get up again
-not getting knocked down.

themes: supernatural puberty,inner strength, adults vs children, standing up for whats right

distinct- settings, themes,icons, props, narrative, characters, textual analysis

setting: in a suburban school then in a common house, and a forest. north american, autumn, winter
themes: panic, violence, supernatural, inner strength, bravery, adults vs children, fiction vs reality
icons: toys, keys, gun, bike, TV
props: teddy bear, his backpack
narrative: young superpower boy
characters: young child, young woman on the phone (teacher), policeman, two jogging people (provides realism)
textual analysis:

camera: The tracking shot focused on the main protagonist at a level mid- close up camera angle whilst he is walking through school, highlights the props in the background and the setting being messy, and unconventional as there is paper and food surrounding the school and no students. It shows his journey leaving the school to escape what hes done






mise-en scene:

MUSIC VIDEOS: STOP WHERE YOU ARE

corinne bailey rae - stop where you are

-2006
-bright, young woman 
-strong british vibe 
-from leeds 
-genre: soul/pop
-channelled emotion from dead husband into her music
-stop where you are from the album: heart speaks in whispers 
-spiritual lyrics in stop where you are 
-stop where you are is about being present, stopping and celebrating whats happening in the moment
-DRCAGES- disability, regionalism, class, age, gender, ethnicity, sexuality INTERTEXTUALITY (only in titanium) 

conform to stereotype / subvert to stereotype 

disability- 
region-
class- middle class
age- mostly young, adolescents, except for the homeless person
gender- androgynous genders, mix of sexes 
ethnicity- mixture
sexuality-ambiguous 

themes: stereotype,not judging people, carpe diem 


camera: clamps -



mise-en scene: fam - 


-alot of low angle shots to make her seem powerful and significant 
-slo-mo to highlight them slowing down 
-close-ups toward end highlighting their happiness when they realise they are not being judged and theyre happy 
-


CLAMPS&FAM&DRCAGES (music video)

mise en scene: CLAMPS (costume, lighting, actors, makeup, props, setting)

camera: FAM (frame(close-up etc.), angle of camera, movement(tracking shot etc.))

analysing a music video: DRCAGES (disability, region, class, age, gender, ethnicity, sexuality)

BIG ISSUE NOTES


the big issue

·                 
Magazine, language, representation
·                  Media language and representations – social, cultural or political context (influence how media language is used)
·                  Media constructs representations
·                  Niche audience, outside commercial mainstream
·                  2 front covers of the big issue learnt from September (2 years onwards)- front covers should demonstrate representations               that are alternative to the mainstream and of national significance – issues/ events
·                  Study magazine products
·                  CLIFT (for front cover) , locations, CLUMPS, choice of camera shots, angle, typography, FAM, mise en scene
·                  Do not study online magazine
·                   £2.50
·                   Most expensive advert - back cover, 2nd = the back of the front cover  


terms:

o                Circulation – number of magazine copies sold (big issue surpassed 200 million copies from 2016)
o                  Readership – total number of people likely to read it
o                Mass audience – readership on a very large scale
o         Niche audience – narrow group of readers
o                Subscription – reader pays for a set number of copies at a lower price in advance and receives them by post
o                 Intertextuality  - one or more media texts working together 
o                 Enigma Code - want to read on 
o                 Masthead  - title 
o                 Plug - text referencing something in the magazine
o                 Puff - story given prominence on the cover
o                 Cover star - star on the front 
o                 Anchorage text - text that anchors main image 
o                 Banner - text runs across bottom of cover 
o                 Skyline - text runs across top of cover 

Advertising Triangle -                    Producer 
                                                 Audience     Advertisement 

- 70% of magazine income comes from sales and advertising 
- Magazines with small circulation rely on advertising. 









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